{"id":59878,"date":"2025-06-21T10:42:58","date_gmt":"2025-06-21T08:42:58","guid":{"rendered":"https:\/\/proto-fest.com\/espectacle-esquerda-1-crit\/"},"modified":"2025-07-23T16:32:36","modified_gmt":"2025-07-23T14:32:36","slug":"espectacle-esquerda-1-crit","status":"publish","type":"page","link":"https:\/\/proto-fest.com\/en\/espectacle-esquerda-1-crit\/","title":{"rendered":"ESPECTACLE: ESQUERDA I – CRIT."},"content":{"rendered":"

[vc_row row_height_percent=”0″ back_color=”color-jevc” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”181188″ back_color_type=”uncode-palette”][vc_column width=”1\/1″][vc_custom_heading text_color=”color-jevc” heading_semantic=”h1″ text_font=”font-813966″ text_size=”fontsize-828701″ uncode_shortcode_id=”403790″ text_color_type=”uncode-palette”]<\/p>\n

Commemoration of the start of the Battle of the Ebro<\/span><\/span><\/h3>\n

[\/vc_custom_heading][vc_custom_heading text_color=”color-jevc” heading_semantic=”h1″ text_font=”font-555555″ text_size=”h1″ uncode_shortcode_id=”100175″ text_color_type=”uncode-palette”]ESQUERDA I: CRIT (CREVICE I: CRY) <\/span><\/span>[\/vc_custom_heading][vc_custom_heading text_color=”color-jevc” heading_semantic=”h1″ text_font=”font-813966″ text_size=”fontsize-828701″ uncode_shortcode_id=”150283″ text_color_type=”uncode-palette”]<\/p>\n

Swan Ensemble Quartet formed by Cristina Morell and Colli Chan (violin), Jordi Morell (viola), and Natalie Hancock (cello).<\/span><\/span><\/h2>\n

Mireia Andreu and Jaume Mart\u00ednez, art direction<\/span><\/span><\/h2>\n

[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row=”” row_height_percent=”0″ back_color=”color-xsdn” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ inverted_device_order=”yes” uncode_shortcode_id=”188268″ back_color_type=”uncode-palette”][vc_column column_width_percent=”100″ position_vertical=”middle” gutter_size=”1″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”107810″][vc_custom_heading text_font=”font-105735″ text_size=”h4″ uncode_shortcode_id=”132368″]Thursday, 24th,<\/span>
\n22.30 h
\n<\/span>[\/vc_custom_heading][vc_empty_space empty_h=”0″][vc_custom_heading heading_semantic=”h5″ text_font=”font-555555″ text_size=”h4″ uncode_shortcode_id=”169943″]Dolors Square<\/span>[\/vc_custom_heading][vc_custom_heading heading_semantic=”h3″ text_font=”font-942005″ text_size=”h5″ text_weight=”400″ uncode_shortcode_id=”140147″]See location<\/a><\/span>[\/vc_custom_heading][vc_empty_space empty_h=”0″][vc_custom_heading heading_semantic=”h5″ text_font=”font-555555″ text_size=”h5″ uncode_shortcode_id=”120061″]Free admission.<\/span>[\/vc_custom_heading][\/vc_column][vc_column width=”1\/2″][vc_single_image media=”59404″ media_width_percent=”100″ uncode_shortcode_id=”176651″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”color-jevc” uncode_shortcode_id=”102172″ sep_color_type=”uncode-palette”][vc_custom_heading heading_semantic=”h5″ text_font=”font-555555″ text_size=”h4″ uncode_shortcode_id=”778157″]Crit<\/strong> is not a performance: it is an open wound of indifference, driven in by a hammer made of strings. Video art<\/strong> in five scenes, <\/span>segued by the shrill sobbing of Shostakovich\u2019s Quartet no. 8<\/strong> \u2014music that is not played, but that bleeds. <\/span>Crit is part of the event held to commemorate <\/span>the start of the Battle of the Ebro<\/strong> on 25 July 1938, a battle in which <\/span>Tortosa collapsed into burning remnants of rubble and memories. The cry became cemented under the city\u2019s skin like a fissure that never heals. <\/span>An artistic experience held in Pla\u00e7a dels Dolors, a special location in Tortosa that suffered the ravages of the Civil War, on the date of the start of struggle that was to mark the country forever.<\/span><\/p>\n

 <\/p>\n

Composed in just three days in Dresden in 1960, after a visit to the ruins of the city destroyed by allied bombing in World War Two, String Quartet no. 8 in C minor<\/strong>, op. 110<\/strong> by Dmitri Shostakovich<\/strong> is a piece dedicated to the victims of fascism and of the war. It is considered one of the major chamber symphonies of the 20th century. It is often performed as both an individual and group intimate requiem<\/b>. With this soundtrack at the core of the performance, Crit<\/i><\/b> will combine music and audiovisuals to provoke an open wound of indifference, driven in by a hammer made of strings. Video art in five scenes, segued by the shrill sobbing of Shostakovich\u2019s Quartet<\/i>, music that is not played, but that bleed.<\/span>[\/vc_custom_heading][vc_separator sep_color=”color-jevc” uncode_shortcode_id=”102172″ sep_color_type=”uncode-palette”][vc_column_text text_lead=”yes” text_color=”color-jevc” uncode_shortcode_id=”421924″ text_color_type=”uncode-palette”]PERFORMERS<\/strong><\/span><\/p>\n

The Swan Ensemble<\/strong> is a chamber music ensemble that was established in 2023 to offer a captivating blend of classical elegance and contemporary innovation. With a repertoire ranging from the refined compositions of the Baroque, Classical and Romantic periods to the bold sounds of contemporary music, the ensemble plays a wide range of styles and periods. Its musical journey is the result of dedication and years of musical education at prestigious schools in London, such as the Royal Academy, the Guildhall School of Music and Drama and the Trinity Laban, along with the Royal Conservatoire of Scotland, in Glasgow<\/span>.<\/span><\/p>\n

 <\/p>\n

ART DIRECTION<\/strong><\/span><\/p>\n

Mireia Andreu<\/strong> studied dramatic arts and stage direction at the Institut del Teatre in Barcelona. She joined the Rodrigo Garc\u00eda\u2019s company La Carnicer\u00eda Teatro in 2001, where she was an assistant to direction and production in works that were performed at theatres and festivals throughout Europe. In 2004, she received the UB\u00da theatre award for the best contemporary production performance and, in 2009, the UNESCO award for the best contemporary theatre production. She began her own artistic career in 2005, in the field of video art and experimental film. Since then, she has created performances that could be seen in locations such as the Barcelona Museum of Contemporary Art, the Lo Pati Art Centre, the Pensa Festival of Philosophy in Barcelona, and A Cel Obert in Tortosa<\/span>.<\/span><\/p>\n

 <\/p>\n

Jaume Mart\u00ednez<\/strong> is a designer whose work includes graphic design, stage design and plastic art, always with a strong connection to Tortosa and its surroundings, and particularly sensitive towards interior spaces and the ties with architecture and urban memory. Mart\u00ednez has shown an interest in creating poetic stages that encourage the audience to delve into memories and imagination, using the city\u2019s architectural elements and being inspired by areas of silence that are often desolate of human activity. This approach shows a deep reflection of the city\u2019s evolution, the mutation of the urban network, and the meaning of human existence<\/span>.<\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

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