{"id":59811,"date":"2025-06-21T12:30:38","date_gmt":"2025-06-21T10:30:38","guid":{"rendered":"https:\/\/proto-fest.com\/concert-leclosio-del-romanticisme\/"},"modified":"2025-07-26T10:02:37","modified_gmt":"2025-07-26T08:02:37","slug":"concert-leclosio-del-romanticisme","status":"publish","type":"page","link":"https:\/\/proto-fest.com\/es\/concert-leclosio-del-romanticisme\/","title":{"rendered":"CONCIERTO: LA ECLOSI\u00d3N DEL ROMANTICISMO."},"content":{"rendered":"

[vc_row row_height_percent=\u00bb0″ back_color=\u00bbcolor-jevc\u00bb overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ uncode_shortcode_id=\u00bb181188″ back_color_type=\u00bbuncode-palette\u00bb][vc_column width=\u00bb1\/1″][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh1″ text_font=\u00bbfont-813966″ text_size=\u00bbfontsize-828701″ uncode_shortcode_id=\u00bb125346″ text_color_type=\u00bbuncode-palette\u00bb]<\/p>\n

Concierto en memoria de Rossend Aym\u00ed Escol\u00e0<\/span><\/span><\/h3>\n

[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh1″ text_font=\u00bbfont-555555″ text_size=\u00bbh1″ uncode_shortcode_id=\u00bb154522″ text_color_type=\u00bbuncode-palette\u00bb]LA ECLOSI\u00d3N DEL ROMANTICISMO<\/span><\/span>[\/vc_custom_heading][vc_custom_heading text_color=\u00bbcolor-jevc\u00bb heading_semantic=\u00bbh1″ text_font=\u00bbfont-813966″ text_size=\u00bbfontsize-828701″ uncode_shortcode_id=\u00bb118912″ text_color_type=\u00bbuncode-palette\u00bb]<\/p>\n

Orquesta de C\u00e1mara de Tortosa (OCTO)<\/span><\/span><\/h2>\n

Rivka Golani, viola<\/span><\/span><\/h2>\n

J. Ricardo Forner, director<\/span><\/span><\/h2>\n

[\/vc_custom_heading][\/vc_column][\/vc_row][vc_row unlock_row=\u00bb\u00bb row_height_percent=\u00bb0″ back_color=\u00bbcolor-xsdn\u00bb overlay_alpha=\u00bb50″ gutter_size=\u00bb3″ column_width_percent=\u00bb100″ shift_y=\u00bb0″ z_index=\u00bb0″ inverted_device_order=\u00bbyes\u00bb uncode_shortcode_id=\u00bb188268″ back_color_type=\u00bbuncode-palette\u00bb][vc_column column_width_percent=\u00bb100″ position_vertical=\u00bbmiddle\u00bb gutter_size=\u00bb1″ style=\u00bbdark\u00bb overlay_alpha=\u00bb50″ shift_x=\u00bb0″ shift_y=\u00bb0″ shift_y_down=\u00bb0″ z_index=\u00bb0″ medium_width=\u00bb0″ mobile_width=\u00bb0″ width=\u00bb1\/2″ uncode_shortcode_id=\u00bb107810″][vc_custom_heading text_font=\u00bbfont-105735″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb822606″]S\u00e1bado, 26 de julio,<\/span>
\na las 20.00 h
\n<\/span>[\/vc_custom_heading][vc_empty_space empty_h=\u00bb0″][vc_custom_heading heading_semantic=\u00bbh5″ text_font=\u00bbfont-555555″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb721879″]Reales Colegios<\/span>[\/vc_custom_heading][vc_custom_heading heading_semantic=\u00bbh3″ text_font=\u00bbfont-942005″ text_size=\u00bbh5″ text_weight=\u00bb400″ uncode_shortcode_id=\u00bb151906″]Ver ubicaci\u00f3n<\/a><\/span>[\/vc_custom_heading][vc_empty_space empty_h=\u00bb0″][vc_custom_heading heading_semantic=\u00bbh5″ text_font=\u00bbfont-555555″ text_size=\u00bbh5″ uncode_shortcode_id=\u00bb106669″]Entrada: 6\u20ac<\/span>[\/vc_custom_heading][vc_empty_space empty_h=\u00bb0″][vc_button size=\u00bbbtn-xl\u00bb border_width=\u00bb0″ button_color_type=\u00bbuncode-solid\u00bb button_color_solid=\u00bb#ffdc00″ uncode_shortcode_id=\u00bb210700″ el_class=\u00bbbutonins\u00bb link=\u00bbtitle:l’eclosi%C3%B3%20del%20romanticisme\u00bb]ENTRADAS AGOTADAS[\/vc_button][\/vc_column][vc_column width=\u00bb1\/2″][vc_single_image media=\u00bb59391″ media_width_percent=\u00bb100″ uncode_shortcode_id=\u00bb838859″][\/vc_column][\/vc_row][vc_row][vc_column width=\u00bb1\/1″][vc_separator sep_color=\u00bbcolor-jevc\u00bb uncode_shortcode_id=\u00bb102172″ sep_color_type=\u00bbuncode-palette\u00bb][vc_custom_heading heading_semantic=\u00bbh5″ text_font=\u00bbfont-555555″ text_size=\u00bbh4″ uncode_shortcode_id=\u00bb169389″]Este concierto nos transporta al inicio del siglo XIX, cuando Franz Schubert<\/strong>, nacido y formado en Viena, se convirti\u00f3 en uno de los primeros grandes compositores en incorporar la expresividad rom\u00e1ntica a su obra, sin abandonar del todo las formas cl\u00e1sicas que brillaron en manos de Mozart, Haydn<\/strong> o Beethoven<\/strong>. Su m\u00fasica representa la transici\u00f3n entre la serenidad apol\u00ednea del clasicismo y las pulsiones emocionales del romanticismo, sirviendo de puente entre dos \u00e9pocas. Pocos a\u00f1os despu\u00e9s, Henri Vieuxtemps<\/strong>, de origen belga, profundiz\u00f3 en el romanticismo y lo llev\u00f3 hacia una nueva dimensi\u00f3n virtuos\u00edstica y expresiva, especialmente en el repertorio para viol\u00edn.<\/span>[\/vc_custom_heading][vc_separator sep_color=\u00bbcolor-jevc\u00bb uncode_shortcode_id=\u00bb102172″ sep_color_type=\u00bbuncode-palette\u00bb][vc_column_text text_lead=\u00bbyes\u00bb text_color=\u00bbcolor-jevc\u00bb uncode_shortcode_id=\u00bb835662″ text_color_type=\u00bbuncode-palette\u00bb]ORQUESTA DE C\u00c1MARA DE TORTOSA (OCTO)<\/strong><\/span><\/p>\n

Fu<\/span>ndada en 2010, tiene como misi\u00f3n acercar al p\u00fablico el repertorio de los grandes cl\u00e1sicos de todos los tiempos, combinando la fidelidad a la tradici\u00f3n con una mirada contempor\u00e1nea. A lo largo de su trayectoria, la OCTO ha destacado por su labor de recuperaci\u00f3n del patrimonio musical ebrense, especialmente obras de antiguos maestros de capilla de la Catedral de Tortosa, as\u00ed como del compositor Felip Pedrell y otros autores del territorio. Paralelamente, la orquesta ha impulsado la creaci\u00f3n contempor\u00e1nea mediante el estreno de nuevas obras, enriqueciendo el panorama cultural con una propuesta art\u00edstica de calidad, arraigada e innovadora.<\/span><\/p>\n

 <\/p>\n

RIVKA GOLANI<\/strong><\/span><\/p>\n

Es una de las violistas m\u00e1s destacadas de los siglos XX y XXI. Ha actuado como solista con orquestas como la Filarm\u00f3nica de Israel, la Sinf\u00f3nica de la BBC, la Royal Concertgebouw y la Sinf\u00f3nica de Boston. Como pedagoga, ha formado a generaciones de violistas en instituciones como Trinity Laban de Londres, la Royal Academy y la Universidad de Toronto. Ha dirigido festivales como Fort MacLeod y SOWECA, y ha colaborado con la comunidad Blackfoot de Canad\u00e1 en proyectos musicales y culturales. Ha recibido numerosos premios y distinciones: Ambassador of Canadian Music ( 2009 ), Musician of the Year en Hungr\u00eda ( 2011 ), Eagle Feather de los Blackfoot ( 2011 ), Doctorado Honoris Causa por la Universidad de Lethbridge ( 2013 ) y diversos reconocimientos discogr\u00e1ficos.<\/span><\/p>\n

 <\/p>\n

J. RICARDO FORNER<\/strong><\/span><\/p>\n

Realiz\u00f3 estudios en el Conservatorio Superior de Valencia, obteniendo Matr\u00edcula de Honor y Premio Extraordinario de fin de carrera en diversas especialidades. Simult\u00e1neamente curs\u00f3 armon\u00eda, contrapunto, fuga, composici\u00f3n y direcci\u00f3n de orquesta en el mismo centro. Posteriormente ampli\u00f3 su formaci\u00f3n musical en \u00c1msterdam con A. Brandhofer. Como director ha estado al frente de la Banda Municipal de la Uni\u00f3 Musical de Quartell, la Orquesta de la SMA (Sociedad Musical de Alboraya), la JOSDT (Joven Orquesta de la Diputaci\u00f3n de Tarragona) y la BSDT (Banda de la Diputaci\u00f3n de Tarragona). Ha sido director invitado de numerosas agrupaciones. Como clarinetista del cuarteto \u201cQuatre Vents\u201d ha obtenido varios premios nacionales y europeos. Tambi\u00e9n ha formado parte de la Orquesta Mare Nostrum y de la Orquesta Sinf\u00f3nica de Madrid, y ha colaborado con diferentes orquestas de renombre. Ha cursado un m\u00e1ster en PNL (Programaci\u00f3n Neuroling\u00fc\u00edstica) y un posgrado de especializaci\u00f3n en direcci\u00f3n de agrupaciones musicales (banda y orquesta) en Florida Universitaria.<\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

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